By George C. Daughan
On the outbreak of the battle of 1812, America’s clients appeared dismal. It used to be transparent that the first battlefield could be the open oceanbut America’s warfare fleet, in simple terms twenty ships robust, confronted a practiced British army of greater than one thousand men-of-war. nonetheless, via a mixture of nautical deftness and sheer bravado, the yankee military controlled to take the struggle to the British and switch the tide of the struggle: at the nice Lakes, within the Atlantic, or even within the jap Pacific.
In 1812: The Navy’s War, prizewinning historian George C. Daughan tells the exciting tale of ways a handful of heroic captains and their stalwart crews overcame dazzling odds to steer the rustic to victory opposed to the world’s maximum imperial strength. a gorgeous contribution to army and nationwide historical past, 1812: The Navy’s War is the 1st whole account in additional than a century of ways the U.S. military rescued the fledgling country and secured America’s destiny.
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Additional resources for 1812: The Navy's War
1913. The present concept of contemporary music can thus include music nearly a century old. ” It is revealing to observe Charles Burney’s view of Sebastian Bach, who had been dead less than a generation when he wrote in 1773. 12 These examples suggest how quickly style was changing in the eighteenth century. As for performing styles, all this instability came to a halt, relatively speaking, in the early nineteenth century, when there was a major shift in aesthetic. Since that time, musicians have deliberately tried to use the same general style of performing—Romantic style.
That name should be “Modern music,” since it is a relatively recent phenomenon. But this term is already taken. In fact the idea that really captures the spirit of the period we’ve been calling “Early,” the principle that motivated artists, intellectuals, and musicians of the time, was Rhetoric, the art of communication. As I will discuss in the coming chapters, music was such an eminent example of applied Rhetoric, it would be logical to call it by this, its principal paradigm, its operating system.
And yet, even a casual exposure to early twentieth-century recordings indicates that preserving a performing style is like trying to hold water in your hand. It is a lovely illusion to think of modern symphony concerts as part of an unbroken tradition, but historically speaking there isn’t much difference between symphony orchestras 10 The End of Early Music and “Early music” concerts. Both are working with lost traditions, the difference being how they think of them. At ﬁrst glance, a movement like HIP (the Historically Inspired Performance movement), which actively tries to join historical awareness to historical music, seems like the perfect example of Canonism: honoring dead composers.
1812: The Navy's War by George C. Daughan