Download e-book for kindle: A Critique of Judgment in Film and Television by Dennis Rothermel Silke Panse

By Dennis Rothermel Silke Panse

ISBN-10: 1137014180

ISBN-13: 9781137014184

ISBN-10: 1349436798

ISBN-13: 9781349436798

A Critique of Judgment in movie and tv is a reaction to an important raise of judgment and judgmentalism in modern tv, movie, and social media by way of investigating the altering kin among the aesthetics and ethics of judgment.

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Extra resources for A Critique of Judgment in Film and Television

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Joan is confronted with a disorienting wall of judges made up of a circle of systematically false continuity shots of faces turning away and towards one another (107). She responds to the judges’ questions and looks in their direction, but glazes over, looks upward beyond them, and enters a zone that blocks her interrogators. “Every affect is blind,” writes Kant, since it is incapable of placing itself in accordance with a free choice of principles (2000, §29, 154). “Pure affections” are “unplaceable because they have no relation to a determinate space,” observes Deleuze (1986, 98).

Edited and translated by Mary J. Gregor. Cambridge: Cambridge University Press. Kant, Immanuel. 2000. Critique of the Power of Judgment. Edited by Paul Guyer. Translated by Paul Guyer and Eric Matthews. Cambridge: Cambridge University Press. Kierkegaard, Søren. 2003 [1985]. Fear and Trembling. London: Penguin. Silke Panse and Dennis Rothermel 29 Kilian, Monika. 1999. ” Angelaki: Journal of the Theoretical Humanities 4 (1): 115–123. Knife in the Head. 1978. Directed by Reinhard Hauff. Bioskop Film, Hallelujah Film, Westdeutscher Rundfunk (WFR).

The X Factor and Idol judges would advise Joan to connect with her audience more: “The only thing I kept waiting for is a feeling of being connected with you,” Keith Urban would have said (American Idol 2013b). While Joan’s Passion blocks judgment through affect in an indeterminate space, judge Cheryl Cole’s emotions direct her judgment in a determinate space. In contrast to Joan, the judged look to their talent judges, even when they are moved to tears, and Cole looks at whom she is judging through her tears.

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A Critique of Judgment in Film and Television by Dennis Rothermel Silke Panse


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