Acoustic Interculturalism: Listening to Performance by Marcus Cheng Chye Tan (auth.) PDF

By Marcus Cheng Chye Tan (auth.)

ISBN-10: 1137016957

ISBN-13: 9781137016959

ISBN-10: 1349346284

ISBN-13: 9781349346288

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Extra resources for Acoustic Interculturalism: Listening to Performance

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The concepts of foreign and familiar are complicated when this (false) dichotomy is presented from more than one viewpoint. 20 Globalisation, as cultural, economic and political phenomena, complicates as it reconfigures performances of cultural 20 Acoustic Interculturalism encounters, for it has ‘exposed the foreign within the self, that desire for the other is almost a pre-condition of modernity with its teleological drives for the production of novelty’ (Singleton, ‘Presidential Address’ 8). A hermeneutic of listening in/to interculturalism A historical trajectory of intercultural theory and practice proves necessary not only to locate the current state of research but also to position this project in the larger discourse, and identify the gaps in research.

Interculturalism as a bi-way process, consequently, becomes reconceived and redefined in the light of cosmopolitical currents. The concepts of foreign and familiar are complicated when this (false) dichotomy is presented from more than one viewpoint. 20 Globalisation, as cultural, economic and political phenomena, complicates as it reconfigures performances of cultural 20 Acoustic Interculturalism encounters, for it has ‘exposed the foreign within the self, that desire for the other is almost a pre-condition of modernity with its teleological drives for the production of novelty’ (Singleton, ‘Presidential Address’ 8).

While Butler criticises the normalising work of power (an idea adapted from Michel Foucault’s explications on sexuality and power) created by gender performatives, she recognises as well the power of performatives to produce that which is ‘abnormal’ through its resistance as alternatives – as conscious performatives of ‘otherness’. In this way, performatives lend political efficacy to the disenfranchised and the socially marginalised. Butler further adapts Derrida’s deconstruction of the distinction between serious and non-serious performative utterances (or speech acts) as she proves how ‘non-serious’ performatives unsettle and destabilise any ‘serious’ performance of gender (and here, Butler uses the popular example of performing drag).

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Acoustic Interculturalism: Listening to Performance by Marcus Cheng Chye Tan (auth.)


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