By Janet Wright Starner, Barbara Howard Traister
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Extra info for Anonymity in Early Modern England
11 7KRVHSRHPVWKDWEUHDNZLWKWUDGLWLRQWRFDOODWWHQWLRQWRDQRQ\PLW\RIWHQVKRZ us an “author” with multiple roles, faces, and possibilities. They show us an act of intentional anonymity that comes to cover more than a single name. LQJ -DPHV¶V IDYRULWH ZDV RQH RI WKH PRVW LQYLWLQJ WDUJHWV IRU SROLWLFDO libelers of the time (Fox 388–90, Perry Literature and Favoritism,QWKH VDPH\HDUWKDWKHZDVPDGHDGXNH9LOOLHUVMRXUQH\HGVHFUHWO\WR6SDLQZLWK Prince Charles to negotiate a marriage for the prince with the Spanish infanta, Maria Anna.
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33–6, where this poem and the libelous response have been collected together. In the case of a few ambiguous readings, I have compared the Folger text to the transcript by Bellany and McRae, Nv3. Their source is BL Add. MS 22603, fols 39v–41r. 30 Anonymity in Early Modern England :KDW&RUEHWWGRHVQRWWDNHXSH[SOLFLWO\LQWKHSRHPLVWKHLVVXHRIDXWKRUVKLS 7KRXJKWKHUHDUHDIHZYHLOHGUHIHUHQFHVWRWKH³3RHWVRI3DXOVWKRVHDW'XN +XPSK\HVPHVVH7KDWIHHGHRQQRXJKWEXWJUDYHV HPSWLQHV´OO±WKH\ DUHVKDGRZVDQGVWHUHRW\SHVUDWKHUWKDQVSHFL¿FLQGLYLGXDOV,WLVDOPRVWDVLI Corbett uses the particulars of the rumors to replace the missing authors’ names DQGOLNHZLVHWXUQVKLVDWWHQWLRQWRWUDQVPLVVLRQWRFRPSHQVDWHIRUWKHJRVVLS¶V obscure origins.
Anonymity in Early Modern England by Janet Wright Starner, Barbara Howard Traister