By Janet Wright Starner, Barbara Howard Traister
Increasing the scholarly dialog approximately anonymity in Renaissance England, this essay assortment explores the phenomenon in all its number of tools and genres in addition to its complicated courting with its modify ego, attribution reports. members tackle such questions as those: What have been the results of publishing and interpreting nameless texts for Renaissance writers and readers? What cultural constraints and topic positions made nameless booklet in print or manuscript a strategic selection? What are the potential responses to Renaissance anonymity in modern school rooms and scholarly debate? the quantity opens with essays investigating specific texts-poetry, performs, and pamphlets-and the inflection each one style provides to the difficulty of anonymity. the gathering then turns to contemplate extra summary outcomes of anonymity: its functionality in destabilizing scholarly assumptions approximately authorship, its moral ramifications, and its dating to attribution stories.
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Extra resources for Anonymity in Early Modern England: ''What's in a name?''
Another Heer lyes on dead under this marble stone who when she liv’d lay under more then one. Another Upon her stone write this (yet, dost thou heare At the QDPHRIVWRQHVKH¶OULVHDJDLQH,IHDUH«S A reader of Folger MS V. a. 345 appears to have been uncomfortable with this third epitaph, especially the invocation of a name in the second line. The epitaph has been scribbled through, rendering the second “stone” almost illegible. The dynamic of this series is one in which Penelope Rich’s identity is also HUDVHG (YHQ WKRXJK 3HQHORSH¶V QREOH VWDWXV PDNHV WKH DWWDFN PRUH SRLQWHG and provocative, it is precisely that noble status that the epitaphs challenge.
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Anonymity in Early Modern England: ''What's in a name?'' by Janet Wright Starner, Barbara Howard Traister