By Victoria Charles, Klaus H. Carl
Artwork Deco sort used to be tested at the ashes of a disappeared global, the single from sooner than the 1st global struggle, and at the starting place stone of an international but to turn into, opened to the main undisclosed offers. Forgetting herself within the whirl of Jazz Age and the euphoria of the “Années Folles”, the Garçonne together with her linear form displays the architectural variety of paintings Deco: to the rounded curves prevail the straightforward and undeniable androgynous directly line…
Architecture, portray, furnishings and sculpture, dissected by means of the writer, proclaim the druthers for sharp traces and damaged angles. even supposing ephemeral, this circulation retains on influencing modern layout.
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Additional info for Art Deco
Eight colossal seven-metre tall vases, made from concrete reinforced with wood, and covered with sandstone tiles, constituted an apogee of great allure. Close to them, the low white pavilions which faced each other and were reflected in mirror-like water with blue edges, the garden, surrounded by small square plinths which connected the festoons, full of refinement and delicacy. The pavilions were made of reinforced stone, covered with sandstone until halfway-up. No window punctuated the façade, so that no wall’s inside surface was lost for the presentation of objects.
The great light which lit them up fell from the ceiling and poured through stained glass windows, set in a bay window which measured only 20 inches in height, but which circled the whole hall with a continuous band of images of the most beautiful monuments of France toppling over one another, like scenery whizzing past the window of a car travelling at top speed. The part of the wall which surmounted this translucent frieze seemed, paradoxically, to be leaning on it. In fact, it was supported by strong reinforced concrete beams, placed on pillars so thin that one did not notice their presence.
36 The library, a work of Paul Huillard, could have had the longer, yet more precise name of “showroom of the art of the book”. Readers were not envisaged there, nor their tables, their seats, the quiet atmosphere conducive to their studies, or the shelves for stacking the books. It was not a typical library. But in its hall with its visible framework and few supports, under the light which shone through the broad bay windows at the upper part of the walls, printed pages, engravings, and bindings were presented under the most favourable conditions.
Art Deco by Victoria Charles, Klaus H. Carl