By Laura Heyenga, Brian Dettmer, Alyson Kuhn
Artists all over the world have in recent times been turning to their bookshelves for greater than only a reliable learn, opting to chop, paint, carve, sew or another way remodel the broadcast web page into entire new attractive, thought-provoking artistic endeavors. Art made of Books is the definitive advisor to this compelling paintings shape, showcasing groundbreaking paintings through today's so much showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each one portfolio celebrates the amazing artistic range of the medium. A preface through pioneering artist Brian Dettmer and an advent through layout critic Alyson Kuhn around out the gathering. offered in an strange, tactile package deal with an uncovered backbone, this is often a necessary addition to the libraries of e-book fanatics and artwork aficionados.
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? Wenn die Musik der Liebe Nahrung ist, spielt weiter. " (Shakespeare, was once Ihr Wollt). Die Musik ist nicht nur eine Freude für die Ohren; sie ist auch das Echo des Herzschlags, des Atems und des Verlangens. Professor Döpp deutet die Musik als Katalysator für Tanz, Liebe und intercourse. Vom Notenblatt, über den Tanz bis hin zu den Instrumenten ist die Musik der Ausdruck unserer tiefen Sehnsüchte und stärksten Leidenschaften.
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Additional info for Art Made from Books: Altered, Sculpted, Carved, Transformed
A strange logic operates at the root of metaphysical oppositions, for in the antagonistic division of terms, each is defined against the other, but at the same time proffered as independent and distinct. For the distinction to hold cleanly, without contamination, the terms must no longer need each other. And this can only lead to the destruction of one by the other, as one can never prove itself “pure” enough (and to share the same space with the opponent is already compromising). 9 For this reason, then, emptiness requires filling up and determines the consumption of beings that seeks to fill it up.
In taking possession of the open, the openness holds it open and supports it” (GA 5: 48 /36). The work is thus a delicately balanced construction that stages the tension between earth and world such that a clearing may be opened. ” The truth (Wahrheit) occurs in a preservation (Bewahrung) of the work whereby the work is “allowed” to be a work: “allowing the work to be a work is what we call its preservation” (GA 5: 54 /40). The work “cannot come into being” without these preservers (GA 5: 54 /40).
Bronze, 700 cm. Photo courtesy of the Bernhard Heiliger Stiftung. © 2009 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. again singled out in this regard, for without naming names Heidegger cites the motto of Documenta III by curator Werner Haftmann (“a respected art expert and art writer”) as typical of contemporary thinking about art: “Art is what important artists make” (KPR 8). Here Heidegger points out the circular character of such a saying, art is what artists make and artists are the ones who make art.
Art Made from Books: Altered, Sculpted, Carved, Transformed by Laura Heyenga, Brian Dettmer, Alyson Kuhn