By Uwe Steinmueller, Juergen Gulbins
The uncooked dossier structure utilized by electronic cameras is basically the uncooked info digital camera captures while it takes a photograph. uncooked records permit the electronic photographer to edit and control their images with much less info loss than in different dossier codecs (such as JPEG). there are various uncooked conversion instruments, and it's usually a good suggestion to take advantage of a couple of to get optimum results.
The Art of uncooked Conversion exhibits electronic photographers tips to paintings with the uncooked records generated by way of a digicam to provide the very best photograph caliber in complete pictures. The authors (both specialists in electronic images, dossier processing, printing, and colour administration) describe the conversion instruments used to reinforce uncooked documents and maximize photograph caliber. All options coated are in keeping with sensible event and defined with step by step directions, in order that readers can be in a position to observe what they study and create their very own fantastic art-quality photos. Covers Adobe Photoshop CS and different major uncooked converters.
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Additional resources for Art of RAW Conversion: How to Produce Art-Quality Photos with Adobe Photoshop CS2 and Leading RAW Converters
To achieve a certain luminance (brightness of your monitor’s white) that has proven to be good for color work. Also, you set a white point conforming to an industry standard, such as D50 or D65 (color temperatures of 5,000 or 6,500 Kelvin respectively). The white point of your monitor is a mix of R, G and B that will represent white. r Characterization. When characterizing a device, a target is Chapter 2: Basic color management 2-16 recorded by the input device, or sent to an output device. A target is a pattern of color patches with known color values.
This transformation is performed by the color management module (also called the color management engine). The main question is: What to do with those colors of the source space, that are not present at the destination space? Because there are several ways to handle this problem, ICC has deﬁned four diﬀerent ways of mapping, called intents: Perceptual (also called Photographic): If the gamut of the source space is wider than that of the destination space, all colors are compressed to ﬁt into the destination space.
Skip this step if you are calibrating a laptop or LCD without controls and continue with step 8). You will set the contrast control to maximum and then slowly reduce it until the green arrow resembles the black one. Don’t worry; Eye-One Match will guide you through this calibration. l Figure 2-10: Use your monitor dial to bring the contrast marker near the zero value. 7. Press Start to have EOM begin measuring the contrast values, then Stop and to begin calibration of the RGB controls. This step will set the control dials so that the monitor’s white point is set close to the intended color temperature (6500 or 5000 Kelvin).
Art of RAW Conversion: How to Produce Art-Quality Photos with Adobe Photoshop CS2 and Leading RAW Converters by Uwe Steinmueller, Juergen Gulbins