By Geoffrey Mays, P. D. Smith
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Additional info for Blast effects on buildings: design of buildings to optimize resistance to blast loading
The insubstantiality of pencil lines explains, somewhat, its use for preliminary, or “field,” drawing and studies. This is in part because during the Enlightenment, black lead was much easier to use on horseback than juggling a quill pen, pen knife, and ink without its spilling. ” Today’s manuals of architectural delineation continue to describe the same use of pencils. Geometers since Euclid have conceived their diagrams as immaterial like the breadthless lines they represent. Architectural drawings often allow the same idea of immateriality to be projected upon pencil lines while remaining entities.
Right, center and following page South, north, and east elevations, Illinois Institute of Technology, Crown Hall, Chicago, Illinois Ludwig Mies van der Rohe, 1954 . Blueprint, 36 x 48 in. right, bottom Main-floor plan, Illinois Institute of Technology Crown Hall Ludwig Mies van der Rohe, 1954. Blueprint, 36 x 48 in. THE LINE 25 Since cathedral builders traversed Europe in the Middle Ages, architects have been peripatetic professionals, moving with the shifting demand for their services. The architect and his/her tools traveled together, producing drawings and models wherever they set up shop.
Le Corbusier Straight lines are the backbone of architectural drawing, but there are many other geometric problems that architects encounter specific to any given building. Conventional tools can solve conventional problems, but the shape of a site, a type of space, or rendering problems can demand the development of a new tool. , reveal two interesting drawing problems. The renderings that were drawn for John Russell Pope’s West Building show the difficulty of drawing circles in perspective.
Blast effects on buildings: design of buildings to optimize resistance to blast loading by Geoffrey Mays, P. D. Smith