By Jean Sémolué
Une présentation du parcours accompli par R. Bresson, d'Affaires publiques, court docket métrage de 1934, à L'Argent. Au fil de l'analyse, J. Sémolué se donne deux objectifs : établir un touch précis avec les motion pictures en mettant au jour les particularités de chacun d'eux et cerner l. a. spécificité d'une aventure créatrice.
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Une présentation du parcours accompli par R. Bresson, d'Affaires publiques, courtroom métrage de 1934, à L'Argent. Au fil de l'analyse, J. Sémolué se donne deux objectifs : établir un touch précis avec les motion pictures en mettant au jour les particularités de chacun d'eux et cerner los angeles spécificité d'une aventure créatrice.
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Extra resources for Bresson ou L'acte pur des métamorphoses
It's a self-deprecating portrayal that slyly pokes fun at his former cheesecake status. The pop music of the 19708 and '8os propels the movie, and is used to illustrate Zoe's inner life. The themes of stalking and unrequited love are underscored by radio hits by Hall & Gates and The Association. The songs may sound familiar, but in this context the lyrics to "Tainted Love" by Soft Cell or locc's "I'm Not in Love" resonate with creepy undertones. Cherish isn't a perfect movie. The basic plot is implausible.
I started reading all of Joe's stuff, and it turns out he lives down in East Texas, so I called him up. He invited me to come 31 70577D3C-AE70-4CD7-90FE-8E702CCAC08A down there, and I visited with him. We were talking about some different kinds of projects. He had [written] a crazy film called The Job and also a great horror western called Dead in the West which would make a fun picture, but nothing ever came of it. ' I said, 'That's a cool idea,' and that's what really attracted me. Then I found that it was so much more layered and deeper and wonderful in its own way.
In Fletcher's story a motorist who had previously been in a car accident driving across the country repeatedly encounters the same hitchhiker after a car accident. The connections to The Hitchhiker are clear (both Mary Henry and 36 70577D3C-AE70-4CD7-90FE-8E702CCAC08A Fletcher's motorist see ghosts after surviving a trauma), although Clifford adds some elements that set it apart from Fletcher's radio play. This time the main character is a woman, who slips in and out of a supernatural state of non-being.
Bresson ou L'acte pur des métamorphoses by Jean Sémolué